{"id":10183,"date":"2024-09-28T17:54:28","date_gmt":"2024-09-28T17:54:28","guid":{"rendered":"https:\/\/www.galleriaimmaginaria.com\/project\/opus-tacitum-daniele-davitti\/"},"modified":"2024-10-22T22:18:42","modified_gmt":"2024-10-22T22:18:42","slug":"opus-tacitum-daniele-davitti","status":"publish","type":"project","link":"https:\/\/www.galleriaimmaginaria.com\/en\/project\/opus-tacitum-daniele-davitti\/","title":{"rendered":"OPUS TACITUM | Daniele Davitti"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.27.0&#8243; background_enable_color=&#8221;off&#8221; background_image=&#8221;https:\/\/www.galleriaimmaginaria.com\/wp-content\/uploads\/2024\/09\/Daniele-Davitti_Leonard-Dearest-1.jpg&#8221; custom_padding=&#8221;80px|0|64px|0|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header title=&#8221;OPUS TACITUM&#8221; subhead=&#8221;Daniele Davitti&#8221; text_orientation=&#8221;center&#8221; _builder_version=&#8221;4.22.2&#8243; title_level=&#8221;h4&#8243; title_font=&#8221;Didact Gothic||||||||&#8221; title_text_align=&#8221;center&#8221; title_text_color=&#8221;#FFFFFF&#8221; title_font_size=&#8221;40px&#8221; title_letter_spacing=&#8221;1px&#8221; content_text_color=&#8221;#000000&#8243; subhead_font=&#8221;Comfortaa||||||||&#8221; subhead_text_align=&#8221;center&#8221; subhead_text_color=&#8221;#FFFFFF&#8221; subhead_font_size=&#8221;20px&#8221; background_color=&#8221;rgba(0,0,0,0.3)&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_margin=&#8221;42px|||||&#8221; global_colors_info=&#8221;{}&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover_enabled=&#8221;off&#8221; button_two_letter_spacing__hover_enabled=&#8221;off&#8221; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; custom_padding=&#8221;0|0px|0|1px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.24.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;52px|0px|24px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.0&#8243; text_font=&#8221;Didact Gothic||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;16px&#8221; header_font=&#8221;||||||||&#8221; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: justify;\"><strong>4th \u2013 17th october 2024<br \/><\/strong><span style=\"color: #e02b20;\">opening Friday 4th october <\/span><span style=\"color: #e02b20;\">2024, h 6.00 pm<\/span><i><\/i><\/p>\n<p style=\"text-align: justify;\">The exhibition <em>OPUS TACITUM<\/em> by the artist Daniele Davitti opens at the Galleria Immaginaria in Florence on Friday 4 October 2024 at 6.00 pm.<br \/>The works on show are like soft bas-reliefs of fabrics and threads that seem to depict the maps of a dream, the fairy tales of an imagination that wants to stay away from our time.<br \/>In the artist&#8217;s training there is the concrete knowledge imparted in Art Institutes, and a curriculum of experiences that led him to teach Aesthetics in a prestigious international fashion school.<br \/>For this exhibition, he worked on a fairy-tale collection of favorite figures, with animals and bizarre creatures from medieval bestiaries, exotic alphabets and sinuous japonaiseries, deco motifs, sacred symbols and &#8216;art brut&#8217; faces, as well as a large Papageno astonished as the Pierrot of Watteau, and also a sort of primer with poetic quotes from Miyazaki&#8217;s film Spirited Away.<span class=\"Apple-converted-space\"><br \/><\/span>A variety uniformed by the &#8216;palette&#8217; of white and ecru shades, of natural monochromes that give the works the primitive refinement, the archaic effect I fantasized about at the beginning. The pieces of fabric chosen by Davitti were woven on a loom, a long time ago, by his grandmother in Valdarno: a family legacy where he recognized a work imbued with meaning and necessity: to which, by embroidering on it, he gave a precious completeness, as if the trousseau of a legendary princess.<br \/>Davitti has a professional identity that is regularly updated on the contemporary &#8216;fashion system&#8217; and the related phenomena of glamor &#8211; also on their media hypertrophy and the ferocious neocapitalist paradoxes of which they are an expression. Hence, I believe, the need to create an intimate and uncontaminated space, which for him coincided, in an era of incorporeal art and narcissistic rituals, with the re-appropriation of artisanal techniques and real materials.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><em>Text edited by Franco Zabagli.<\/em><\/p>\n<p>The event is part of the program of the XX Edition of the Contemporary Art Day promoted by AMACI &#8211; Association of Italian Contemporary Art Museums.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.2&#8243; text_font=&#8221;Didact Gothic||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;16px&#8221; header_font=&#8221;||||||||&#8221; custom_padding=&#8221;6px||||false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: left;\">DANIELE DAVITTI<\/p>\n<hr \/>\n<p style=\"text-align: justify;\">Daniele Davitti was born in Florence in 1986. He obtained a diploma in Fashion design at Polimoda Institute where he now teaches.<br \/>In 2008 he completed his studies in Japan at the Bunka Fashion College in the city of Osaka.<br \/>The Japanese experience brought him closer to the world of Wabi-sabi aesthetics, as well as to the ethical principles of mottainai, clearly visible and represented in most of his works.<br \/>In 2009, upon returning to Italy, he developed his artistic language with his first exhibition &#8220;Dei Valori Perduti&#8221;. In the years to come, collective and personal exhibitions followed one another in Italy and abroad, including the personal exhibition <em>Immauculate Decay<\/em> in New York in 2013.<br \/>A new chapter began in 2016 at Melbourne in<span class=\"Apple-converted-space\">\u00a0 <\/span>Australia, where he became professor of illustration at the Whitehouse Institute of Fashion Design, and where he took an interest in nature and botany.<br \/>Returning to Italy in September 2019, he presented the exhibition <em>Mortalia Cura<\/em>\u00a0a retrospective composed of canvases, designs and collage realized in Asia, Europe, Australia and America.<br \/>The exhibition would be a farewell to the world of painting, leaving space to the new fascination of the art of textiles and embroidery to which he is presently dedicated.<br \/>In 2024 Davitti is among the 50 artists chosen to exhibit their own textile art work at the <em>Contextile biennial<\/em> at Guimaraes in Portugal.<br \/>Davitti is lecturer at<span class=\"Apple-converted-space\">\u00a0 <\/span>Polimoda Firenze of Fashion Aesthetics and has created the course \u201cBook of Mistakes\u201d a multi-disciplinary course of art and illustration centred on the use of the hands and analog technologies of recycled and second- hand materials.<\/p>\n<p><span class=\"Apple-converted-space\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; 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